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Album Review: Architect – Consume Adapt Create

architect-album-consume-adapt-createConsume Adapt Create has been Daniel Myer’s largest and most successful departure from industrial and EBM since Haujobb’s 1999 album, Ninetynine. This latest release from Myer’s Architect project is a contemporary fusion of dark breaks, drum & bass, hardcore and dubstep. While Myer should be praised for masking any influences in previous work—including prior Architect releases—it’s refreshing to compare these new tracks to other artists. “So I Went Out” is reminiscent of something off a Broken Note release, while “The Beauty and the Beat (Rokka)” takes cues from artists like Enduser, Dieselboy and Silent Witness. Beneath these influences though, lies a core of solid arrangement, unique soundscapes, heavily distorted basslines and complex beats.

To further appreciate Consume Adapt Create, check out these other notable releases from Myer: Haujobb – Solutions for a Small Planet, Haujobb – Ninetynine, Haujobb – Vertical Theory, Destroid – Silent World, Architect – Galactic Supermarket and Clear Vision – Deception. Check Discogs and Wikipedia for a full (and ridiculously extensive) discography.  ~ tom

MP3 1: Attack Ships on Fire
MP3 2: So I Went Out
MP3 3: The Beauty and the Beat (Rokka)

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King Cannibal – Let The Night Roar

king-cannibal-let-the-night-roarTry and Imagine pure evil as a living force that feeds on life, death, murder and pain. This evil infiltrates a city, tainting the air, water and streets. As its power grows, so does fear, corruption, agony and hysteria. For all those unfortunate enough to live here, death is imminent. Let the Night Roar is the soundtrack to this story—down to the details of crime, punishment and the true face of evil—which is unmasked throughout this imaginatively dark and devastating debut LP from King Cannibal.

Let the Night Roar is hands down the hardest release from Ninja Tune Records to date. Trailing far behind are The Bug’s London Zoo and Amon Tobin’s 2004 release, Chaos Theory. LTNR is a seamless blend of dancehall, industrial, drum & bass and dubstep that continually builds with tension even when the beats slow down and drop out. The stage is set with an intro of eerie atmospheres and the words “You’ve got about one hour to think about what you’ve done to me.” Because of repeating sounds, themes and frequent movie samples—including the explosive speech by George C. Scott in Exorcist III—it’s hard to not think of this album as conceptual.

As cool as the hard beats and unrelenting bass lines are, the MCs steal the show. “Murder Us” features deep and dark vocals by Jahcoozi woven around train-like percussion, alarming synth stabs and gun shots. The layered rapid fire vocals by Face-A-Face on “Virgo,” are absolutely sick (this track is so dope). On the voodoo-like track, “Dirt,” legendary Ragga/Hip-Hop artist Daddy Freddy adds violence and fear with repetitive screams.

The intoxicating dubstep single, “So… Embrace the Minimum” is set close to the middle of the album to momentarily break the tension with warm bass effects and rhythms—but don’t let your guard down, it doesn’t last long. Other highlights include “Aragami Style” and “Colder Still,” which fuel the album with threatening beats, distorted bass, ghostly pads and unforgettable breaks. “Flower of Flesh and Blood” concludes the record with a battle between good and evil where the true face of the beast is revealed… 303-style acid bass! It’s heavy, dark and best heard from beginning to end. Definitely one of the best albums of the year.  ~ tom

Two unreleased tracks, “Downtime” and “Stone Tape Theory,” were recorded during the LTNR sessions but didn’t fit the feel of the record. This 2-track single will be released on November 16th. Check out myspace.com/kingcannibal for samples and tour dates. Let the Night Roar and a ton of other King Cannibal tracks and remixes are available now on iTunes.

MP3 1: King Cannibal – Virgo (Featuring Face-A-Face)
MP3 2: King Cannibal – Aragami Style
MP3 3: King Cannibal – So… Embrace The Minimum
MP3 4: King Cannibal – Flower Of Flesh And Blood
MP3 5: King Cannibal – Murder Us (Featuring Jahcoozi)

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Sawtooth Electronic Music Mix 01

sawtooth-mix01Since we typically review new music at Sawtooth, I wanted to honor some electronic music of the past with occasional Sawtooth mixes. This first mix is a collection of tracks from the past 15 years encompassing trip-hop, breaks, electro, ambient, tech-house, industrial, downtempo, future jazz, glitch, post-punk, trance and some mixed styles. Among these selections are some tracks that I feel never got the credit they deserved such as FFWD and the Nine Inch Nails remix track “The Downward Spiral (The Bottom),” which was remixed by members of Coil—an experimental industrial group who helped shape the genre. The remixes on Further Down the Spiral include some of the best remixes I’ve ever heard. If you’re only familiar with the major NIN releases, you’re in for a surprise. They’re incredible works of sound manipulation, dynamics and composition. FFWD was an ambient supergroup made up of Thomas Fehlmann (Sun Electric), Robert Fripp, and Kris Weston & Dr. Alex Paterson of The Orb. This 1994 release was their only collaboration. Another highlight is Funki Porcini’s “16 Megatons.” This track comes from Fast Asleep, which is my all-time favorite downtempo album.

If you like any particular styles, leave a comment and I’ll do my best to incorporate more of it in my future posts. I’d like to get more reader participation on Sawtooth so if there’s something you’d like to see us do differently, please share. Enjoy the tunes!  ~ tom

Sawtooth.fm Mix 01

01. The Herbaliser – Goldrush
02. Rabbit in the Moon – Timebomb
03. Amon Tobin – At Work
04. FFWD – Hidden
05. Funki Porcini – 16 Megatons
06. Noisia – Seven Stitches
07. Kilowatts – Snakewinds
08. Nine Inch Nails – The Downward Spiral (The Bottom)
09. The Kilimanjaro Darkjazz Ensemble – Rivers of Congo
10. Splattercell (with Charlie Clouser) – Multisplat
11. edIT – Laundry
12. Telefon Tel Aviv – Helen of Troy
13. The Tear Garden – Shelia Liked the Rodeo
14. The Future Sound of London – Quagmire / In a State of Permanent Abyss
15. Mr. Oizo – Erreurjean (Arveen and Misk Remix)
16. Font Line Assembly – Colombian Necktie (Grit Your Teeth Mix by Cydonia)

*Use the right and left arrows to navigate between tracks.

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Nine Inch Nails Wave Goodbye 1989-2009

nin-nine-inch-nails-wave-goodbyeOn Friday night, I may have seen my last Nine Inch Nails concert ever. Trent Reznor announced that this will be the final tour. In addition to getting engaged to Mariqueen Maandig, the singer of West Indian Girl, he had been thinking of calling it quits for some time now, but decided to give it one last go for the 20 year anniversary of his first album, Pretty Hate Machine. And what better band to go on tour with than Janes Addiction? Both bands got their start around the same time playing the first Lollapalooza show in 1992.

This final tour “Wave Goodbye” is a must see for old fans. The show is raw and spontaneous and the energy of the band is through the roof. They’re performing many of the songs they never got a chance to play before including “Heresy,” “The Downward Spiral,” “Mr. Self Destruct,” “Metal,” “Physical,” “I’m Afraid of Americans,” “The Becoming,” “The Way Out Is Through” and “Last.” Since the set-list changes up every night, fans are attending as many shows as they can afford. Janes Addiction then close out the night with an explosive performance. Unfortunately, the US tour is almost over. Tomorrow the band is performing at the Merriweather Post Pavilion in Columbia, MD. Tickets are still on sale so I’ll probably catch this one too. Then, my youth will officially feel over. I think we can all sympathize with nin.com forum member, Shitfuckdamn, who posted “Might as well named it the ‘Goodbye Forever and Get Your Razor Blades Out’ tour.”

Video: Nine Inch Nails – Mr. Self Destruct (Irvine, CA 2009)

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Marilyn Manson’s The High End of Low Preview

the-high-end-of-lowYesterday, I tracked down a few songs from Marilyn Manson’s upcoming 15-track album, The High End of Low. Manson seems to be back to his normal, outspoken and angry self. The tracks are harder and crunchier once again, but still lack the amount of synths that I’d prefer. These songs resemble those from Antichrist, Mechanical Animals and Holywood. The highlights are the lyrics, catchy riffs and a raw energy that Eat Me, Drink Me lacked. Even though they’re not doing anything new musically, I was excited to post a track.

The band will begin their world tour on June 3rd to promote the May 26th release. MP3 versions and a Deluxe CD version are available for preorder at Amazon.

MP3: Marilyn Manson – Arma-Goddamn-Motherfuckin-Geddon

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